8 tips to sharpen your family photos

I shot a few family portraits over Thanksgiving and learned something from each shoot. So, now that the dust has settled and the food has finally been digested, I wanted to share a few tips that can help anybody when taking pictures of family and friends…just in time for the holidays! But before we get started, here’s one of my favorite shots I took for my friends’ holiday cards.

The baby’s expression and turn to the camera really made this photo special.

Here are my tips and some of the lessons I learned:

Punk Rock Photography: ATM at the PV

Friday night, November 26, 2010, the day after Thanksgiving.
Dim lights on a low, cracked, white ceiling. A punk band from San Diego that just pulled up to the dingiest bar in Tempe, the Palo Verde Lounge: a legendary place that opens at 6am with $2 Pabst Blue Ribbons, well whiskey and other fine ailments. A lineup featuring The Poos, The Teets and headliners Ass To Mustache.

Best break out the wide angle.

I called on a 17-35mm / f2.8 rental from Tempe Camera along with my Speedlite 580 exii flash – and they delivered.

Continue reading Punk Rock Photography: ATM at the PV

Cut

Blue scissors, from Ikea, on my desk, from Ikea. The scissors are the only pair in my house. They’ve been used multiple times to open boxes, remove tags and tear through tape…many of which were also from Ikea. These are cannibal scissors. Do they feel a little weird about it? Sure they do. But sometimes you’ve just gotta cut. Don’t judge.

p.s. My microwave is weird too.

Is SEO killing the lede?

“Tell me, Carmen, do you know what foreplay is?”
“No.”
“Good! Neither does El Guapo.”
…and apparently neither does Google.

One of the first lessons that hit home for me in writing was the concept of the introduction. The lede. The hook. Those crucial first few seconds that a writer has to catch the reader’s attention, get her to taste the bait long enough for the claws to sink in, gain traction and snatch her up for the ride.

To accomplish this, I try to use interesting metaphors, analogies and anecdotes in the introductions that can appear to have nothing to do with the subject at hand and then find a way to tie it creatively to my main points. The rule I follow for most feature stories says that the reader should be captivated and interested in the first paragraph, but not realize what the story is really about until the end of the second paragraph.

The problem, unfortunately, with following this rule is that if you’re sneakily walking your reader down a winding path, you’re probably not going to use the major keywords that align with your subject matter very often in the beginning. After all, you don’t want to scare her off, and the punch line is nothing without an efficient set-up.

But sadly, search engine optimization (SEO) techniques frown on any fooling around, even during the courting stages, and encourage you to get the point early and often.

This is because writing that has keywords in the titles, headings and lead paragraphs of the text will have increased visibility in searches for related content, and thus, usually increased views. This strategy plays nicely with news stories, since the most important information in a news story is concentrated in the lead paragraph. But what about stories that don’t blow their load in the first three lines?

Isn’t the chase half the fun? I think so, and I’m afraid of having to choose between SEO and quality content. I prefer the seductive, methodical ledes that serve the story rather than the search and think that increased exposure to compromised content is counter productive.

But is there a way to accomplish both?

What role does the introduction play in your writing?