1st Ave & Van Buren at night, quiet and loud

Photos on top are looking northbound on 1st Avenue. The position of the camera for the loud photo on the left was the best vantage point for this shot and I wish I would have used the same exact position for the quiet one. You can feel the absence of the YMCA when they’re side by side. Otherwise, I’m pleased with how much the photos show of Downtown Phoenix, and its character: vintage Westward Ho, contemporary Arizona State University, refurbished YMCA, Palm Trees, Light Rail, Uptown, Downtown, Mountains in the distance…and no people.

Photos on the bottom are looking westbound on Van Buren. The loud one is striking, but a bit overexposed. It’d be a lot sharper if the lights weren’t so blinding and if I got rid of all the lens flares. On the other hand, it might not be so loud then. I do like the three palm trees peaking out over the madness and the dim and blurry Old Glory. The quiet one feels hot and bright, the desert road goes on forever and it exudes Valley summer.

All of these photos were taken with a 50mm lens, at a slow shutter speed (16-30 seconds) on a tripod, around midnight on Friday, July 2, 2010, from the fifth floor of a parking garage on the southeast corner of 1st Avenue and Van Buren. I’ll be back.

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Palm Trees Burned

The top two photos were taken in February, 2010, before the cleanup, with an 18-55mm lens. I wish I would have seen the piano building before the fire. The palm trees and the couch look like they’re the limping survivors of some god-induced urban war. All of this rubble has now been cleared away.

The bottom two photos were taken June 27, 2010, after the rubble had been cleared, with a 50mm/f1.8 lens around 7pm. On the left, I like how the blue sky and green leaves contrast the black trunk. The right has a downtrodden, captured feel but doesn’t emphasize the details in the fence as dramatically as I would have liked. I also think a bluer sky would have added to the caginess, but unfortunately, the sun had already gone down.

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Remembering Chris Volpe and why it is OK to tip scalpers


Over the years, I’ve gotten pretty sharp at negotiating with scalpers. Waiting until the last minute has resulted in deals and adventures at concerts and sporting events of all kinds. It’s gotten to the point where sometimes, the search for tickets is as much a part of the experience as the event itself.

Back in April of this year, three friends and I went to see Muse perform at US Airways Center. We met in downtown Phoenix about an hour before the show, with no tickets and no desire to pay face value. We took our time, had some beers and made a couple laps around the arena to gauge the market. An active number of scalpers roamed the sidewalks and the box office had plenty of tickets still available.

When the band took the stage, tickets started to burn holes in pockets and it was time for us to make some moves.

We got things going by low balling a scalper right outside the main entrance. He used standard scare tactics, slight of hand and swift talking to raise the price and to get us to concede for face value. I could see the wheels turning in my friends’ heads and that they were about to give in. So I stepped in, rejected his offer and threatened to take our business elsewhere. The scalper knew the game, acted insulted and told my friends that I was ruining this opportunity for them.

My buddies were drinking the Kool Aid and leaning toward accepting the man’s offer. Fortunately, I was aware enough to act quickly and stopped them from reaching for their wallets. I led the group down the street, looking for another seller.

When the scalper saw the cash flying away he snapped into survival mode and gave in, offering us the tickets for about half of face value. I gave the fellas the green light, we pooled our money together and had the guy walk up to the gate with us to make sure the tickets were legit. The salesman gave us the tickets and I had the money in my hand. But right before I handed it over, something crazy happened.

Chris Volpe, one of the guys in our group, shoved an extra five dollars into my hand and said something like, “Give him a tip man.”

My jaw dropped, pupils dilated and hands started sweating. Was he serious? He must’ve been drunk. Tipping isn’t part of the dance. So, I rejected this preposterous notion.

Volpe insisted though, and stuck the five back into my hand. What could I do? It was his money. So I gave the scalper the money, he got the heck out of dodge and we walked into the show.

My head was spinning, trying to find the logic in what just happened. After all, who tips a scalper? Volpe smiled in stride and shrugged it off with a laugh.

We ended up snagging killer seats, smooth talking some free beers and taking in a spectacular show. It was my first time seeing Muse and the shock of “the tip” eventually wore off for me. We all had a great time, but when I look back on that concert now, I don’t think about the seats, the discounts or the music.

I smile and think of Volpe tipping the scalper five bucks.

A month after that concert, Chris Volpe was hit and killed by a car while riding his bike in Tempe. He was 24 years old, had just completed the last final exam of the semester and was on his way home to start the summer.

When tragedies strike, I never know how to react, and usually, they bounce off me at first and sink in much, much later.

In this case, I got the call from a friend, a day after the accident, while I was on my lunch break. He told me that Volpe had died the night before and that a few of our friends were hanging out at his house. I drove over, spent an hour there numb, sitting on the couch talking a bit with the others. Then went back to the office.

I’ve never had to deal with death at work, didn’t know how to handle the situation and reacted by going about my business. It hadn’t sunk in yet.

I had known Chris for about a year, but it was only within the few months before his death that we grew close and started hanging out regularly on the weekends. Our group was having a great time and it felt like our friendship was just taking off.

Crazy how quickly things can change.

But what fascinates me most now, is how much I am learning about him in the short time after his death. It seems so backwards that only after he was gone did I meet his family, hear so many stories and get to know so many different sides of him. I started to appreciate what a caring, kind and giving person Chris was. The candle light vigil, the ghost bike memorial dedication, the honorary toast at Casey Moore’s and the funeral warmly celebrated his life and offered glimpses at the type of man Chris was. It’s so sad, tragic even, that it took death to generate such attention to a life. Would I have learned about any of these wonderful sides of Chris, if he was still alive?

It made me wonder, “What else is out there?” So I started searching.

I found out that he had a Twitter account and I’m following him now, over a month after the accident. He created a series of movie-review videos on YouTube with his brother and on Facebook his profile is memorialized. People have been posting messages to Chris on his wall regularly since his death. They tell him that they miss him. They fill him in on what they are up to in life. They write about things in their day that remind them of Chris.

These loving, personal and caring messages are not scribbled in journals and tucked away in closets. They’re shared, beautifully, and are a constant sign of life, celebration and continued love for Chris and everyone who cares about him.

I thought his death finally hit me at the reception when I started to focus on the brotherly aspect of it all. But no. It hadn’t hit me yet back then.

It did just now, when I checked Chris’s Facebook profile for the first time in over a month and read the latest comment: “Good night buddy, miss you and love you!” posted by his brother two hours after I started writing this.

Thanks to these messages, stories, videos and support, my relationship with Volpe continues to grow and I feel so privileged to have known such a fun, kind and caring person. I finally understand why he threw in that extra five bucks for the scalper back in April. And to me, that tip will remain a vivid symbol of who he was, a model of how to treat people and one of the many reasons he will always be sorely missed.

Rest in peace my friend.

Chris Volpe
August 29, 1985 – May 10, 2010

50mm Fun in San Francisco

Old Green White Modern BuildingsI have a tendency to let my life get bogged down with work. Day job, side projects, chores, house repairs, exercise…it’s all work and it all adds up. I try to get everything done, every day and often forget that taking time outs, having fun and accomplishing nothing is just as vital for daily progression.

So last week I took a couple days off to be irresponsible in the Bay Area. San Francisco is the latest addition to my list of “Awesome American Cities,” joining San Diego, Chicago, Denver and Seattle (even though I’ve never been to Seattle, I can still tell it’s freakin’ awesome).

Golden Gate Bridge BoltsThe four-day journey felt like a month-long adventure. I:

  • Saw the lovely town of Sacramento where my sister lives
  • Partied in San Francisco bars, restaurants, street corners and at a friends-of-a-friends’ house in Presidio park, where a lovely afternoon bbq turned into a glass-shattering drama-bath when a few flying beer bottles gave guests the permission to flip a few tables over (a textbook case of Malcolm Gladwell’s The Tipping Point’s theory of context)
  • Died a bit inside as Kobe Bryant put an end to the Suns’ basketball season
  • Shook my head in the bleachers of AT&T Park as the Dbacks blew a two-run ninth-inning lead and lost to the Giants in the tenth
  • Got to know my 50mm prime lens better at the Golden Gate Bridge, the Painted Ladies (Full House House), Haight Ashbury, Japan and China towns and Fisherman’s Wharf. It’s a versatile lens, produces dramatic depth of field effects with unique angles, all for only $100. It’s the best addition to my photography arsenal to date.

Painted Ladies

I’m still happily reeling and itching to get back.

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